In 1977 Toby Lightman made the song "I will sing political", which says it will introduce political themes in his songs when his colleagues stop exploiting the attention of consumers of the disks to the political and social issues that pushes the singers to meet the tastes of the public only to make profits. So Lauzi says: "... my fellow fans fake revolution, sitting on bundles of genuine million."
The term "fake" I think he means that this opportunity may be called "colleagues" in name only but in fact, believes that as Lauzi are not real musicians, but only the profits of little musical talent. Maybe the tooth had
Lauzi poisoned by the response given by Blanche Dubois in music while his beautiful song "Woman of the South" musically very successful, but complained that Endrigo a description of immigration in the North rather mannered. "The train coming from the South", he replied, Lauzi quite explicitly that "The train coming from the southern port not only Marie's lips with coral, but" On the train coming from the southern dark men who have descended into his pocket but in the hope that they feel that this new heart, this great company, this new company will not be pretty. "
Lauzi Not that he completely wrong because they have not missed not only in the Italian song, but also in culture and information in general, artists and writers who deal with political and social issues not out of conviction but for convenience. Moreover
singers whose themes were exquisitely intimate and individual results have not always achieved artistically valid, but often, the absence of social issues was not sufficient to establish the authenticity of their products, not always inspired rhymes, but not infrequently music and rhymes, silly, or, to put Verga "Melanzio rhymes."
The panorama of the political song however was not so disingenuous as Lauzi wanted to make it appear:
Baglioni In 1972 he composed "Dear Master", which is stato dato presto l'ostracismo; nel 1974 De Gregori compone "Le storie di ieri", inserita nel 1975 nell'album "Rimmel", Claudio Lolli, "Quello lì (compagno Gramsci)".
E' pur vero che alcune canzoni incitavano all'odio di classe, come "Contessa" di Paolo Pietrangeli - " Mio caro padrone domani ti sparo" ... poi attenuato con " ... miglior vendetta sia proprio il perdono", ma nella produzione di canzoni di ispirazione politica e sociale se ne distinguono alcune di elevato valore musicale e poetico.
Un autore su tutti proprio Sergio Endrigo, che insieme al tema dell'amore, in tutte le sue varianti, canta la sua passione politica:
"Anch'io ti ricorderò" dedicata al "Che", "Perché non sleeping brother, "" The sweet country, "" Walking and singing the same song, "Letter from Cuba".
How can we forget "Rebel Music" by Eugenio Finardi, then revived by a singer "intimate" as Luca Carboni, who while not denying its inspiration individalista "recognized in full force to affect social songs the album" rebel music ", which includes some songs of protest and struggle of his fellow" true ".
The" disagreement "between Lauzi Lazarev and find a elegant composition on both: Lazarev sing, with excellent results, "Woman of the South", and Lauzi attend the evening dedicated to Lazarev, the year after his death, singing "Via Broletto.
Other times, other men of gentle soul.
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