New Year and leader of a month, takes the bag and put the tournois.
who eats the grapes for New Year is good all year.
Every year new advances that has been in preparation a new hope. The
Wednesday, December 31, 2008
What Is The Best Bluetooth Mobile Phone Program?
Happy New Year
New Year and leader of a month, takes the bag and put the tournois.
who eats the grapes for New Year is good all year.
Every year new advances that has been in preparation a new hope. The
New Year and leader of a month, takes the bag and put the tournois.
who eats the grapes for New Year is good all year.
Every year new advances that has been in preparation a new hope. The
Monday, December 22, 2008
Pain In Between My Thumb And Pointer
Out of sight but not out of mind.
issue of distance is present not only in proverbs, but in all forms of expression, from movies to songs.
Sometimes nostalgia comes from distant places:
"not far from you if some 'is'" (referring to Naples),
more often from loved ones.
"Out of Sight" is one of the best-known songs of Blanche Dubois:
"For someone who comes back and brings you a pink one thousand
have forgotten you"
usually predominant and then forgetting to remember, at least quantitatively, but "that one" can never be forgotten that redeems all forgetful.
Modugno also has experimented with the theme of distance, which turns off the burners small and light up the big ones. "
But Lazarev has dedicated one song to the theme of absence:
" Your absence fills my day with you " (song Your lack of it).
" Loneliness you got me, I cultivate as a flower " (Song for you).
" My thoughts will be with you will follow you wherever you are, where you go " (Now you).
How different is approach to the issue of sepaeazione than the dominant trend in the Italian song, according to which the separation from loved one's physical and moral lead to the annihilation of the lover. Some examples:
... this life that never, never, ever be able to continue if
me away from you "
" If you were not here, if you were not here
poor me!
I'd be a dead thing, a candle off a useless man "(I think both of Peppino Gagliardi.
Beautiful song, I agree, but complaining!
The distance, in Lazarev, is experienced, it is with melancholy, but without despair.
Perhaps few have taken elements of optimism in the lyrics of Lazarev, but I am convinced that he has effectively given that what happened did not happen in vain, and that absence and distance does not arise so much space and time separate, but mainly from a state of mind that you can be vicini con la mente e con l'anima, anche se la separazione è avvenuta in modo definitivo, come nel passaggio dal mondo della menzogna a quello che Giovanni Verga ha definito "mondo della verità".
Ciò è ancora più vero se chi si è allontanato da noi è vissuto cercando, e spesso trovando, la verità in questo mondo in cui predomina la falsità; e sono convinto che Endrigo la verità la abbia testimoniata nelle sue canzoni, e molto probabilmente anche nella vita. 
issue of distance is present not only in proverbs, but in all forms of expression, from movies to songs.
Sometimes nostalgia comes from distant places:
"not far from you if some 'is'" (referring to Naples),
more often from loved ones.
"Out of Sight" is one of the best-known songs of Blanche Dubois:
"For someone who comes back and brings you a pink one thousand
have forgotten you"
usually predominant and then forgetting to remember, at least quantitatively, but "that one" can never be forgotten that redeems all forgetful.
Modugno also has experimented with the theme of distance, which turns off the burners small and light up the big ones. "
But Lazarev has dedicated one song to the theme of absence:
" Your absence fills my day with you " (song Your lack of it).
" Loneliness you got me, I cultivate as a flower " (Song for you).
" My thoughts will be with you will follow you wherever you are, where you go " (Now you).
How different is approach to the issue of sepaeazione than the dominant trend in the Italian song, according to which the separation from loved one's physical and moral lead to the annihilation of the lover. Some examples:
... this life that never, never, ever be able to continue if
me away from you "
" If you were not here, if you were not here
poor me!
I'd be a dead thing, a candle off a useless man "(I think both of Peppino Gagliardi.
Beautiful song, I agree, but complaining!
The distance, in Lazarev, is experienced, it is with melancholy, but without despair.
Perhaps few have taken elements of optimism in the lyrics of Lazarev, but I am convinced that he has effectively given that what happened did not happen in vain, and that absence and distance does not arise so much space and time separate, but mainly from a state of mind that you can be vicini con la mente e con l'anima, anche se la separazione è avvenuta in modo definitivo, come nel passaggio dal mondo della menzogna a quello che Giovanni Verga ha definito "mondo della verità".
Ciò è ancora più vero se chi si è allontanato da noi è vissuto cercando, e spesso trovando, la verità in questo mondo in cui predomina la falsità; e sono convinto che Endrigo la verità la abbia testimoniata nelle sue canzoni, e molto probabilmente anche nella vita.
Saturday, November 15, 2008
How Big Can Cancer Balls Be
The poor and the rich made them the Lord
Questo proverbio è stato confutato dal poeta Ignazio Buttitta, che ritiene invece che ogni uomo ha il diritto di migliorare le proprie condizioni socio-economiche, e che ogni individuo è padrone del proprio destino and has the right and duty to free themselves from unfavorable conditions of birth.
So unlike the two great religious leaders seem to think precisely and St. Paul and Luther.
"... according to the Lutheran and Pauline admonition not to leave one's social status, respect diversity" natural "classes" (1)
St. Paul in First Corinthians:
7, 17 "Each continue to live according to the condition which gave it the Lord, as God has called him "
7, 21" Have you been called a slave? Do not worry, but even if you can become free of your condition rather than profit! "
Blessed are the poor so that they can benefit dai soprusi, dalle sofferenze inflitte dai loro padroni, conquistandosi così il Regno dei Cieli.
Ma se ognuno è padrone del proprio destino e può decidere di non ribellarsi e rimanere pazientemente nella condizione di schiavo o di povero perenne, non può, a mio parere, rimanere indifferente di fronte alla miseria e alla schiavitù dei propri simili, di fronte ai quali, come don Lorenzo Milani, deve esclamare "I care!", mi sta a cuore la tua salute dell'anima, ma non sono indifferente alla tua salute fisica e mentale.
Secondo il criterio paolino (se preso alla lettera e non nello spirito) san Francesco e don Milani sarebbero entrambi "eretici", perché il primo non ha voluto accettare la condizione di rich that the Lord would have given the second, in addition to being a heretic, would also be a troublemaker and a subversive, in an effort to advance culturally and socially, their parishioners, and not only them.
You can still groped to reconcile the two different points of view:
The words of Saint Paul can be considered as a suggestion that a ban in light of the infinite value of salvation than the finite conditions of earthly life, which will always be ephemeral, despite our efforts to make them stable. Concentrate all our resources towards the goal of Paradise is the way to St. Paul to follow. Similarly
Don Milani always put in first place "Obedience" to God over obedience to Caesar, that must always be subordinate to God, and indeed should disobey Caesar asks us whether what is contrary to the will of God
care for the next most in need is part of the Gospel message of love for others and therefore it is perfectly legitimate to improve their living conditions, especially if you do not enter into conflict with the will of God
The question is tricky, however, as he grasped what the blackberries.
(1) Claudio Magris, Danube, Milano, RL Books, 2005 (first ed. 1986)
Chapter II, paragraph. 5 - The German idyll 
Questo proverbio è stato confutato dal poeta Ignazio Buttitta, che ritiene invece che ogni uomo ha il diritto di migliorare le proprie condizioni socio-economiche, e che ogni individuo è padrone del proprio destino and has the right and duty to free themselves from unfavorable conditions of birth.
So unlike the two great religious leaders seem to think precisely and St. Paul and Luther.
"... according to the Lutheran and Pauline admonition not to leave one's social status, respect diversity" natural "classes" (1)
St. Paul in First Corinthians:
7, 17 "Each continue to live according to the condition which gave it the Lord, as God has called him "
7, 21" Have you been called a slave? Do not worry, but even if you can become free of your condition rather than profit! "
Blessed are the poor so that they can benefit dai soprusi, dalle sofferenze inflitte dai loro padroni, conquistandosi così il Regno dei Cieli.
Ma se ognuno è padrone del proprio destino e può decidere di non ribellarsi e rimanere pazientemente nella condizione di schiavo o di povero perenne, non può, a mio parere, rimanere indifferente di fronte alla miseria e alla schiavitù dei propri simili, di fronte ai quali, come don Lorenzo Milani, deve esclamare "I care!", mi sta a cuore la tua salute dell'anima, ma non sono indifferente alla tua salute fisica e mentale.
Secondo il criterio paolino (se preso alla lettera e non nello spirito) san Francesco e don Milani sarebbero entrambi "eretici", perché il primo non ha voluto accettare la condizione di rich that the Lord would have given the second, in addition to being a heretic, would also be a troublemaker and a subversive, in an effort to advance culturally and socially, their parishioners, and not only them.
You can still groped to reconcile the two different points of view:
The words of Saint Paul can be considered as a suggestion that a ban in light of the infinite value of salvation than the finite conditions of earthly life, which will always be ephemeral, despite our efforts to make them stable. Concentrate all our resources towards the goal of Paradise is the way to St. Paul to follow. Similarly
Don Milani always put in first place "Obedience" to God over obedience to Caesar, that must always be subordinate to God, and indeed should disobey Caesar asks us whether what is contrary to the will of God
care for the next most in need is part of the Gospel message of love for others and therefore it is perfectly legitimate to improve their living conditions, especially if you do not enter into conflict with the will of God
The question is tricky, however, as he grasped what the blackberries.
(1) Claudio Magris, Danube, Milano, RL Books, 2005 (first ed. 1986)
Chapter II, paragraph. 5 - The German idyll
Wednesday, July 16, 2008
Tohatsu Outboard Motor Problems
Introduction to Weller
"The term" wellerism "used to identify Those That proverbial sayings were so common on the lips of Dickens' Sam Weller, Owes ITS currency to Archer Taylor." (1)
After Archer Taylor (The proverb, Cambridge, 1931), the term "Weller was also adopted by Raffaele Corso in Italy (Italian Weller, in Folklore, fasc. III-IV, 1947-1948), A . Van Gennep in France (Wellerismes francais, 1933-1934), but not in Spain, where he was preferred to "Dialogismos paremiologicos" and in Germany (Beispielssprichwort, Apologisches Sprichwort, Sagwort. (2)
From Wikipedia, the free encyclopedia:
An apologetic Apologetic proverb proverb (also known as a joke-like form of proverb common to Dutch and known in English as wellerisms) typically consists of 3 parts: a proverb or saying, a speaker and (often humorous and literal) explanation.
Folklorist Archer Taylor notes that wellerisms are usually of obscure origin, difficult or near impossible to trace, and include sardonic humor.
"Everyone to his own liking, "the old woman said when she kissed her cow"
"This week is beginning splendidly, "said one who was to be hanged on Monday"
Da un altro sito in lingua inglese:
"I see, "said the blind man"
"It all comes back to me now, "said the Captain as he spat into the wind".
Per tornare alla lingua Italian: Gaetano
Perusini, Weller Friuli, in Journal of Ethnography, A. 1948. N. 4,
distinguishes between Weller and Weller proverbial storyteller:
"the first shall contain a clear concept that needs no further comment, but the latter can not be fully understood unless you know the story or the story (true or episode or invented it) that gave rise to the opportunity to say "Mario Alberto
Cirese, Weller and micro-récits, in language and style, Year 5, No. 2 August 1970, distinguishes itself from weller real and proverbs welleristici or wellerizzati (not to be confused with the proverbial weller Perusini). The
Weller
"said Constance: Water wants the slope
hope and love "is cataloged by
Cirese wellerizzato as saying, because there is no conflict between the speaker and between that and saying. There is only one axon (which calls Cirese loudness) between Constance, slope, and hope and nothing else. A Costanza could replace any other woman's name or in person, you lose perhaps only equal loudness.
weller the following:
"How beautiful cleaning said the charcoal "
presents a contrast between" clean "and" inevitably be dirty coal. "Changing the trade of coal here with a job" clean "you lose the effect contrasto.
Questo w. napoletano rende ancor meglio il concetto:
"Arrassate ca me tigne, dicette o graunaro"
- Allontanati che mi sporchi, disse il carbonaio -
Questi w. con protagonista il carbonaio possono quindi essere catalogati come w. veri e propri, o wellerismi proverbiali per dirla col Perusini; così come i seguenti:
"E va bene dicette donna Lena quanno vedette 'a figlia, 'a sora, 'a mamma, 'a gatta prena"
"E' un temporale benedetto, disse il contadino, e venne fulminato" (3)
Diverso è il caso del seguente w.
"Dicette l'avaro: serùgliame tutto!" (Ungimi tutto)
We are here in the presence of a w. fabulist, to whom no one understands the meaning without any explanatory note. The editor, Antonio Rotondo (4) it adds a line to explain their origin.
I try to turn this w. from a legendary storyteller, adding in the same w. Part storyteller missing:
"Ungimi all, as the miser said the priest came to administer the last rites, when he learned that he was free" I lost the color
dialect and w. seems to be too long, but do not assimilate the w. the traditional proverb, characterized by brevity.
A look at w. Dickens will make you realize that brevity is not a constant.
The w. lends itself very well to being discounted, relate to events and characters of today or of the immediate past:
I tried to coin three w. and present them to you:
"I brought Italy into Europe, as he said Romano Prodi, after having plunged Italians into poverty"
"I cleaned up the accounts of Italy, as the Minister said Padoa Schioppa, after uneven than the Italians "
" I entered politics for the common good, as Silvio Berlusconi said, when it was approved yet another law ad personam "
outside the current:
" The customer always comes back at of delight, as he said the hardened drinker crossing the threshold of the tavern "
some variant 'OSE:
" The customer always comes back to the scene of delight, as he turned to the Madama consumed whores "
This (these) is set as puns, paraphrases and w .
And, last but not least, a w. coined by Richard Uccheddu:
"The death of each of our fellow citizen fills us with dismay, but also helps us to live, he said, all pierced, an undertaker "
But it's not over yet:
If the oral transmission of w one has to be comprehensive, without any possibility of allusions or references, different is the case of the" network " dove il w. può essere enunciato, lasciando ad un link la funzione di svelarne il significato non pianamente comprensibile, ma che, come un rebus, permette di essere chiarito dopo una visitina al sito linkato.
Come esempio ricavo da un commento al sito amico Clear Nuance
il w.
"Purtroppo c'è chi male interpreta uno sguardo... e io ne approfitto, come disse un tale Rosario Chiàrchiaro "
Cliccando su Rosario Chiàrchiaro si apre la pagina web rivelatrice.
Buona scoperta a tutti!
(1) Charles Speroni, The Italian Wellerisms to the End of the Seventeenth Century, University of California Press, 1953, Introduction.
(2) loosely based on C. Speroni, op. cited. Introduction
(3) John Tucci, studies and research on Mr. Weller, in Journal of Ethnography (1965-66).
(4) Antonio Rotondo, 'A life is' nu' imbruòglio!, Sorrento, 1991, p.. 49 
"The term" wellerism "used to identify Those That proverbial sayings were so common on the lips of Dickens' Sam Weller, Owes ITS currency to Archer Taylor." (1)
After Archer Taylor (The proverb, Cambridge, 1931), the term "Weller was also adopted by Raffaele Corso in Italy (Italian Weller, in Folklore, fasc. III-IV, 1947-1948), A . Van Gennep in France (Wellerismes francais, 1933-1934), but not in Spain, where he was preferred to "Dialogismos paremiologicos" and in Germany (Beispielssprichwort, Apologisches Sprichwort, Sagwort. (2)
From Wikipedia, the free encyclopedia:
An apologetic Apologetic proverb proverb (also known as a joke-like form of proverb common to Dutch and known in English as wellerisms) typically consists of 3 parts: a proverb or saying, a speaker and (often humorous and literal) explanation.
Folklorist Archer Taylor notes that wellerisms are usually of obscure origin, difficult or near impossible to trace, and include sardonic humor.
"Everyone to his own liking, "the old woman said when she kissed her cow"
"This week is beginning splendidly, "said one who was to be hanged on Monday"
Da un altro sito in lingua inglese:
"I see, "said the blind man"
"It all comes back to me now, "said the Captain as he spat into the wind".
Per tornare alla lingua Italian: Gaetano
Perusini, Weller Friuli, in Journal of Ethnography, A. 1948. N. 4,
distinguishes between Weller and Weller proverbial storyteller:
"the first shall contain a clear concept that needs no further comment, but the latter can not be fully understood unless you know the story or the story (true or episode or invented it) that gave rise to the opportunity to say "Mario Alberto
Cirese, Weller and micro-récits, in language and style, Year 5, No. 2 August 1970, distinguishes itself from weller real and proverbs welleristici or wellerizzati (not to be confused with the proverbial weller Perusini). The
Weller
"said Constance: Water wants the slope
hope and love "is cataloged by
Cirese wellerizzato as saying, because there is no conflict between the speaker and between that and saying. There is only one axon (which calls Cirese loudness) between Constance, slope, and hope and nothing else. A Costanza could replace any other woman's name or in person, you lose perhaps only equal loudness.
weller the following:
"How beautiful cleaning said the charcoal "
presents a contrast between" clean "and" inevitably be dirty coal. "Changing the trade of coal here with a job" clean "you lose the effect contrasto.
Questo w. napoletano rende ancor meglio il concetto:
"Arrassate ca me tigne, dicette o graunaro"
- Allontanati che mi sporchi, disse il carbonaio -
Questi w. con protagonista il carbonaio possono quindi essere catalogati come w. veri e propri, o wellerismi proverbiali per dirla col Perusini; così come i seguenti:
"E va bene dicette donna Lena quanno vedette 'a figlia, 'a sora, 'a mamma, 'a gatta prena"
"E' un temporale benedetto, disse il contadino, e venne fulminato" (3)
Diverso è il caso del seguente w.
"Dicette l'avaro: serùgliame tutto!" (Ungimi tutto)
We are here in the presence of a w. fabulist, to whom no one understands the meaning without any explanatory note. The editor, Antonio Rotondo (4) it adds a line to explain their origin.
I try to turn this w. from a legendary storyteller, adding in the same w. Part storyteller missing:
"Ungimi all, as the miser said the priest came to administer the last rites, when he learned that he was free" I lost the color
dialect and w. seems to be too long, but do not assimilate the w. the traditional proverb, characterized by brevity.
A look at w. Dickens will make you realize that brevity is not a constant.
The w. lends itself very well to being discounted, relate to events and characters of today or of the immediate past:
I tried to coin three w. and present them to you:
"I brought Italy into Europe, as he said Romano Prodi, after having plunged Italians into poverty"
"I cleaned up the accounts of Italy, as the Minister said Padoa Schioppa, after uneven than the Italians "
" I entered politics for the common good, as Silvio Berlusconi said, when it was approved yet another law ad personam "
outside the current:
" The customer always comes back at of delight, as he said the hardened drinker crossing the threshold of the tavern "
some variant 'OSE:
" The customer always comes back to the scene of delight, as he turned to the Madama consumed whores "
This (these) is set as puns, paraphrases and w .
And, last but not least, a w. coined by Richard Uccheddu:
"The death of each of our fellow citizen fills us with dismay, but also helps us to live, he said, all pierced, an undertaker "
But it's not over yet:
If the oral transmission of w one has to be comprehensive, without any possibility of allusions or references, different is the case of the" network " dove il w. può essere enunciato, lasciando ad un link la funzione di svelarne il significato non pianamente comprensibile, ma che, come un rebus, permette di essere chiarito dopo una visitina al sito linkato.
Come esempio ricavo da un commento al sito amico Clear Nuance
il w.
"Purtroppo c'è chi male interpreta uno sguardo... e io ne approfitto, come disse un tale Rosario Chiàrchiaro "
Cliccando su Rosario Chiàrchiaro si apre la pagina web rivelatrice.
Buona scoperta a tutti!
(1) Charles Speroni, The Italian Wellerisms to the End of the Seventeenth Century, University of California Press, 1953, Introduction.
(2) loosely based on C. Speroni, op. cited. Introduction
(3) John Tucci, studies and research on Mr. Weller, in Journal of Ethnography (1965-66).
(4) Antonio Rotondo, 'A life is' nu' imbruòglio!, Sorrento, 1991, p.. 49
Tuesday, March 4, 2008
How To Delete From Vuze
Fabrizio Bosso
BIOGRAPHY
BOSS and SALIS - STUNT
A series of rare e pietre miliari, sorprese e capolavori sanciscono il ritorno discografico di una delle formazioni più richieste e pregiate del panorama musicale italiano e non solo. FABRIZIO BOSSO alla tromba, musicista che non ha più bisogno di presentazioni, Fabrizio è infatti ormai a livello mondiale uno dei migliori trombettisti; DANIELE SCANNAPIECO, sassofonista caldo e creativo, LUCA MANNUTZA, pianoforte, una delle migliori promesse del jazz Italiano, PIETRO CIANCAGLINI, contrabbassista solido e swingante e LORENZO TUCCI, a detta di tutti gli addetti ai lavori, il miglior batterista del jazz Italiano degli ultimi anni. Raramente una formazione può annoverare solisti formidabili, leader sensibili - ognuno infatti coltiva al di fuori del quintetto progetti own - but fully formed young musicians and for many years. In the last few years have brought forward their project privileged quintet, consisting of music and their repertoire very sophisticated, offering a prolific concert in which they were engaged in major clubs and festivals, not just Italians. In this regard it is good to be reminded of their presence in the triumphant second weekend of March, the Jakarta International Java Jazz Festival. The High Five are one of the most solid and successful season of the Italian jazz. The secret of their success lies in having been able to develop an original music inspired by sounds that are rooted in their most blood hard bop school, one of the memorable and unforgettable masters like Art Blakey and Horace Silver. They have two incisions on both Via Veneto Jazz: "Jazz For More" (2002) where the plan was this Mazzariello Julian Oliver, and "Jazz Desire" in 2004. In the golden age of jazz new more open and contaminated the High Five are also authors of the unexpected success of soul crooner Mario Biondi, actively participating in the arrangements and how the training is hard, "Handful of Soul" that the long promotional tour that record audiences always full. The swing, the energy of all the special care and make arrangements for the High Five is a unique phenomenon and of great value as evidenced by the continuing interest by the public. 
DATE OF CONCERTS IN MARCH FABRIZIO
3Modena - Bastion of the Citadel - Bosso Roberto Cecchetto 4tet featuring "Free Spirit"
4Riccione (RN) - Teatro del Mare - Bosso-Salis "Stunt"
6Cagliari - Night Line - Bosso guest Max Ionata trio
8Roma - Auditorium Parco della Musica - Boss guest Raphael Gualazzi
10/11/12Dunkerque (France) - Jazz Club De Dunkerque - Bosso-Laurent-Texier-Romano "Complete Communion" - Special tribute to Don Cherry
13Milano - Fnac - Bosso guest Raphael Gualazzi
14Bollate (MI) - Bosso 4tet featuring Roberto Cecchetto "Spirito Libero"
16Milazzo (ME) - via Giacomo Medici - Bosso con Filippo Tirincanti "Otherwise"
17Matera - Groove Beer e Grill - Bosso guest Scasciamacchia
WELCOME TO THE FIRST FAN CLUB DEDICATED TO TURIN young trumpeter Fabrizio Bosso. HERE YOU WILL FIND MANY PHOTOS, NEWS AND MUCH MORE
Fabrizio Bosso began playing the trumpet for 5 years. At 15 he was already graduated from the Conservatory G. Verdi in Turin. Cultivating the interest of continuous extraction for music has approached the classical jazz. A strong appeal, persuasive, that the Turin has failed to respond. Technically flawless, the most striking of Fabrizio is the creation of a personal handwriting, in which the color and dynamic sound are never discounted, the sense of swing is pushed to extremes, the creative tension is constant in the interpretation of standards. In addition to their concert under the direction of George Russell, Mike Gibbs, Kenny Wheeler, Dave Liebman, Carla Bley and Steve Coleman, was recently recruited by Charlie Haden for some stages of the promotional tour of the new album Liberation Music Orchestra. In 1999 he was voted "Best New Talent" in the referendum of the Italian jazz magazine Jazz, and in the years he has been collaborating groups of Salvatore Bonafede, Enrico Pieranunzi and John Mazzarino. Fonda, along with Scannapieco, the High Five, plays in a duo with Ross Sportiello tribute to Armstrong, in trio with D'Andrea and Petrella, in his quartet - with Mannutza, Bulgarelli and Tucci - who will soon enter the recording studio and recorded several projects as a leader and co-leader. Fortunately, the collaboration with artists bordering the jazz aesthetic as Kill Hannah and Nicola Conte.
Complete Communion - To Don Cherry”, album tributo dedicato alle musiche di Don Cherry, è un progetto nato da un’idea del batterista Aldo Romano in occasione dell'edizione 2009 del festival Crossroads. Il successo riscosso nella manifestazione emiliana e nei successivi concerti europei ha trasformato una produzione estemporanea in un progetto stabile e duraturo che si concretizza oggi in questo album pubblicato dalla prestigiosa etichetta francese Dreyfus. Protagonista di questo album è un eccezionale quartetto italo-francese che ruota appunto intorno la figura carismatica di Aldo Romano. Non è un caso che il grande batterista italiano, ormai francese d’adozione, has decided to create a tribute to Don Cherry, as the encounter with the historical trumpeter was one of the key moments of the beginning of his long and prolific career. Along with Romano are then three other stars of European jazz. First, our Fabrizio, formidable in this CD, now increasingly set out to conquer the world. It shows the appreciation that it is receiving from colleagues established and sailed around the world. Then the bass player Henri Texier, who worked with Cherry in the sixties. To complete the training the young soloist who has rapidly established itself on the European stage and that is the highlight of the jazz scene, the French saxophonist Géraldine Laurent.
BOSS and SALIS - STUNT
Un imprevedibile e per certi versi sorprendente dialogo senza rete, in cui l’ascolto reciproco è l’unica guida per realizzare una proposta musicale espressiva e coinvolgente, è il leitmotiv dell’incontro tra Antonello Salis e Fabrizio Bosso. Il primo, pianista e fisarmonicista irriducibile a qualsiasi inquadramento stilistico, trova nel secondo, trombettista legato a un evoluto modern mainstream, un ricettivo partner in grado di abbandonare i fraseggi storicamente codificati per suonare in maniera più aperta del solito, concentrarsi sulle molteplici possibilità timbriche e linguistiche della tromba, anche arricchita dall’uso dell’harmoniser. Il risultato sono due suites totalmente improvvisate, nelle quali il percorso, full of references of each kind, share completely free alternative to standard American and Italian songs such as, for example, Body And Soul, Sunday is always a Sunday, Besame Mucho, Mack The Knife, not the result of a default choice, but the fact that the music falls on these songs in a natural way, taking shape as the result of extensive and deep knowledge. An album that took a lot of tension and concentration of expression and, from the title: Stunt, or "stunts," says the masterly skills of two leading exponents of the European jazz scene.
HIGH FIVE QUINTET - FFF
HIGH FIVE QUINTET - FFF
A series of rare e pietre miliari, sorprese e capolavori sanciscono il ritorno discografico di una delle formazioni più richieste e pregiate del panorama musicale italiano e non solo. FABRIZIO BOSSO alla tromba, musicista che non ha più bisogno di presentazioni, Fabrizio è infatti ormai a livello mondiale uno dei migliori trombettisti; DANIELE SCANNAPIECO, sassofonista caldo e creativo, LUCA MANNUTZA, pianoforte, una delle migliori promesse del jazz Italiano, PIETRO CIANCAGLINI, contrabbassista solido e swingante e LORENZO TUCCI, a detta di tutti gli addetti ai lavori, il miglior batterista del jazz Italiano degli ultimi anni. Raramente una formazione può annoverare solisti formidabili, leader sensibili - ognuno infatti coltiva al di fuori del quintetto progetti own - but fully formed young musicians and for many years. In the last few years have brought forward their project privileged quintet, consisting of music and their repertoire very sophisticated, offering a prolific concert in which they were engaged in major clubs and festivals, not just Italians. In this regard it is good to be reminded of their presence in the triumphant second weekend of March, the Jakarta International Java Jazz Festival. The High Five are one of the most solid and successful season of the Italian jazz. The secret of their success lies in having been able to develop an original music inspired by sounds that are rooted in their most blood hard bop school, one of the memorable and unforgettable masters like Art Blakey and Horace Silver. They have two incisions on both Via Veneto Jazz: "Jazz For More" (2002) where the plan was this Mazzariello Julian Oliver, and "Jazz Desire" in 2004. In the golden age of jazz new more open and contaminated the High Five are also authors of the unexpected success of soul crooner Mario Biondi, actively participating in the arrangements and how the training is hard, "Handful of Soul" that the long promotional tour that record audiences always full. The swing, the energy of all the special care and make arrangements for the High Five is a unique phenomenon and of great value as evidenced by the continuing interest by the public. DATE OF CONCERTS IN MARCH FABRIZIO
3Modena - Bastion of the Citadel - Bosso Roberto Cecchetto 4tet featuring "Free Spirit"
4Riccione (RN) - Teatro del Mare - Bosso-Salis "Stunt"
6Cagliari - Night Line - Bosso guest Max Ionata trio
8Roma - Auditorium Parco della Musica - Boss guest Raphael Gualazzi
10/11/12Dunkerque (France) - Jazz Club De Dunkerque - Bosso-Laurent-Texier-Romano "Complete Communion" - Special tribute to Don Cherry
13Milano - Fnac - Bosso guest Raphael Gualazzi
14Bollate (MI) - Bosso 4tet featuring Roberto Cecchetto "Spirito Libero"
16Milazzo (ME) - via Giacomo Medici - Bosso con Filippo Tirincanti "Otherwise"
17Matera - Groove Beer e Grill - Bosso guest Scasciamacchia
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